This collaboration between NZ Opera and Black Grace offers an intimate staging of Gluck’s 1769 opera Orpheus and Eurydice. The combination of Gareth Farr’s refined re-orchestration and Neil Ieremia’s guidance as both director and choreographer produces a largely accessible and compelling reimagining of the tragic Greek myth.
Music Director Marc Taddei’s extraordinary empathy with young musicians demonstrated a heart-warming variety of delights throughout the presentation’s opening segment of music-making.
And, as I walked to my car after the concert, the thing I found myself wanting to do the most was to get home and play that sensational Webern work again! It was , for me, the evening’s indisputable highlight, and I remain grateful to Marc Taddei and his players for THAT most of all – a truly remarkable experience!
The triumph of the production is the opulent overlay of both a contemporary story and Pasifika culture on the famous classical myth. From the outset, all the layers are there - Gluck’s Baroque rhythms played with Farr’s timbral surprises under the stylish baton of Taddei, graceful Samoan dance gestures and fine singing from the story-telling chorus, the unexpected overlap of singing and dancing and an imaginative and beautiful set and lighting design conjuring both a contemporary funeral and a sense of otherworldly magic.
Conductor Marc Taddei sensitively elicits clean and emotive orchestration from the small but impactful ensemble of Orchestra Wellington musicians, and the ensemble of NZ Opera singers are rich and balanced.
(m)Orpheus. New Zealand Opera & Black Grace- Michelle Potter …on dancingThis extraordinary production, (m)Orpheus, by New Zealand Opera & Black Grace, is billed as a re-imagining of Christoph Gluck’s 18th century opera, Orfeo ed Euridice. The program note calls it a dance-opera collision—which it is, but it’s also a great deal more than that.
Indeed, the whole enterprise is a five-point star—visionary and innovative direction and choreography by Neil Ieremia, a totally stunning set and costume design by Tracy Grant-Lord, a skilful re-orchestration of Gluck’s original by composer Gareth Farr played by a chamber ensemble conducted by Marc Taddei, beautiful singing delivered by three fine soloists and a wonderful eight member Chorus, and inspired dancing by members of Black Grace contemporary dance company. They all melded into the spirit life of a production that could only have been realised in Pasifika-Aotearoa New Zealand.